"The Brexshit Machine" is a catalogue for an exhibition by the British artist Simon Roberts at The Container, Tokyo. The catalogue includes an introduction by the gallery director, Shai Ohayon, among a conversation with Simon Roberts with curators Catherine Harrington and Vassiliki Tzanakou.The exhibition at The Container in Tokyo, took place 23 December 2020—7 March, 2021. The Container is a contemporary exhibition space in Nakameguro, Tokyo. The space opened in March 2011 to create a site that encourages people to engage with art installations and works, where the emphasis is on curation and the accessibility of contemporary art and ideas to the general public. As the name suggests, the physical space is no more than a constructed shipping container (485x180x177cm), made to measurements of old Japanese shipping containers, in one of Tokyo's most beloved and trendy neighbourhoods, Nakameguro. The Container invites Japanese and international artists to make site-specific installations four times a year. Each installation remains on view to the public for two-and-a- half months. Since 2013, The Container also started to publish full-colour, bilingual (Jap/Eng) exhibition catalogues, available online and at the gallery. The exhibition space receives extensive international coverage, including ArtAsiaPacific, Artforum, Hyperallergic, Glass Magazine, Art & Antiques Magazine, Ocula, Port Magazine, Dazed & Confused, Blouin Artinfo, Art-iT, Bijutsu-Techo/BT, CNN, NHK, WIRED, The Japan Times, The Sunday Times, travel guides and in-flight magazines, to mention only a few. www.the-container.com
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