This volume explores the early history of the photographic studio and portrait in China and Japan. The institution of the photographic studio has received relatively little attention in the history of photography; contributors here investigate various manifestations of the studio as a place and as a space that was cultural, economic, and creative. Its authors also look closely at the studio portrait not as images alone, but also as collaborative ventures between studio operators and sitters, opportunities to invent new roles, images that merged the new medium with "traditional" visual practices, as well as the portrait’s part in devising modern, gendered, nationalistic, and public identities for its subjects. As the first collection of its kind, Portraiture and Early Studio Photography in China and Japan analyzes the photographic likeness―its producers, subjects, viewers, and pictorial forms―and argues for the historical significance of the photographic studio as a specific and new space central to the formation of new identities and communities. Photography’s identity as a transnational technology is thus explored through the local uses, adaptations, and assimilations of the imported medium, presenting modern images of their subjects in specific Japanese and Chinese contexts.
人気のある作家
Flame Tree Studio (164) Hal Leonard Publishing Corporation (117) Thomas Kinkade (85) Nancy Faber (51) Not Available (48) Randall Faber (45) Abrsm (42) National Geographic Society; Monthly版 (38) Stephan Herrmann (36) Workman Publishing (31) Nguyễn Tân (29) The Metropolitan Museum Of Art (29) Cao Co (28) 3dtotal Publishing (25) Colin Charisma (22) Hy Nguyễn (22) Nintendo (21) Lê Dũng (20) Workman Calendars (19) Browntrout Publishing (18)最適なファイルサイズ
5978 KB 10082 KB 10084 KB 10108 KB 10148 KB 1014 KB 10162 KB 10164 KB 1016 KB 10187 KB 10235 KB 10272 KB 10274 KB 102901 KB 1030 KB 10332 KB 103436 KB 10431 KB 1044 KB 104843 KB