The making of a filmis a creative process and as such, exulting from the mere technique, it emerges from intuition: that state of being that allows a prompt and acute perception. A state linked to absolute awareness, comparable to the state of enlightenment of the great minders and spiritual leaders. It was psychologists who defined cinema as a simulation of dreams, comparing the cinematographic process to the oneiric one through certain conditions necessary for the simulation of the REM (rapid eye movement) phase, and so closing the eyelids is equivalent to creating darkness in the room and starting dreaming is the beginning of the movie. How thin is the line between art and magic? How do great stories come about? How do you make a film out of ordinary? What did inspire Fellini, Lynch, and Jodorowsky to create some of their works? Where do big ideas come from? How would your life change if you could also tap into ideas that come from the invisible world? How to write a great story? In this book you will know: HOW THREE GREAT FILMMAKERS MANAGED TO ATTRACT CREATIVE IDEAS AND INSPIRATION FROM THE UNSEEN WORLDS ONEIRIC CINEMA AS A TRANSCENDENTAL EXPERIENCE CONVEYED THROUGH CREATIVITY THE FINE LINE BETWEEN ART AND MAGIC THE MEETINGS WITH REMARKABLE MEN Discover how esotericism, occultism, paranormal phenomena, divination, tarot, and transcendental meditation have been decisive in the inner research path and in the artistic expression of these great directors.
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